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Saturday, 19 April 2014

Ves!



Rites of passage
through passages
of time
marked by feet
so grounded
they had to move
to drumbeat and chime
both wrought 
from custom 
the things that last
and last
things that make pathway
and journey
dance-things
that delight
dance-things 
of singular meditation,
but this, 
for now
is a young boy’s moment
where emotions collapse
into the intangibles
caught in a hand clasp
so elusive
and yet not un-owned. 

[inspired by the photography of Rukshan Abeywansha]

Monday, 24 March 2014

After the sun rises…



And that which begins with black
yields to gold
and then to blue
and by and by
we are rainbowed
into and out of
our miseries and loves;
sundrop does not stay
but touch warms
if we open heart-doors
to receive and give.

Sunday, 23 March 2014

Once the sun rises…



Once it does,
the rising sun buries waiting
and in a deft flipping of chart
wrecks and reinvents color and line
dresses detail and depth into silhouette
one peep and you can wait no more
not for rising sun
and yet there’s waiting unforbidden
the sun says so
every morning
to coffee-in-hand people
sitting in waiting land.

Saturday, 15 March 2014

The Art of War



[Angampora]

Fight is fight
when heart is hard
fight is not fight
when must-do things
are divested of passion;
nothing can distract
or detract
gaze is made of focus
movement of economy -
that’s meditation
a transcending 
of kill for joy of killing
the ill-gotten ways
of human history
where desecration is 
name of game;
but this is rehearsal
a dance 
a performance 
of things out of step
with brutality and plunder
and yet
this is how wars have been won
centuries ago and yesterday too,
this is known
though un-acknowledged. 

[Inspired by the photography of Rukshan Abeywansha]

Sunday, 9 March 2014

Prabuddha XX*



When perishes
all treasure houses of knowledge
gathered through the ages,
when stops
all thoughts
the conjuring of images
and the commerce of words,
then alone it arises
and never upon command
that state above states
that jhana
like a river that breaks banks
and overflows
and like the music of silence. 

Lying down on a bed
the perfect stillness
receives visitor –
a bell tolls
from a distant temple
the ring
it stayed
and left by and by
leaving nothing behind.

For a moment the mind stopped.

Look!
This morning
this day of Enlightenment
the ascension of Siddhartha Gauthama the Buddha,
this public holiday
all citizens stay home,
homes built
in competition
with one another
and according to ability,
where the earth is parceled out
divided into pieces
thirty, thirty-five or forty perches
encased in barbed wire
seven-eight rounds
reinforced with high walls
brick upon brick
of reinforced incarceration
replete with gate and iron lock
they burned their days
inside the prisons
they themselves built. 

The fiery sun having set
the full moon arose
brighter than usual
plump in full sphericality
and one by one
here and there
there was lighting of lantern
colored glow
wavering through foliage
swaying from sunshade.

I stepped out.  Looked.
Was amazed!
Bathed in the blessed glow
of a myriad Vesak lanterns
barbed wire and wall
that had carved up the earth
they were all gone
disappeared!

The world is one seamless open field.

Earth and sky
tree, branch and leaf
everything, everything
for a moment rendered
as a property commonly held
belonging to us all
in a moment.

Sukho Buddhanang Uppado
The birth of a Buddha is cause indeed for happiness.

Prisoners imprisoned
step out into the streets
and in a magnificent movement
of the multitude
flow and flow
towards the viharaya


as one. 

The exalted cry
of one and all
he hears
for a moment.

Gaha karaka dittosi
Punna gehang naka hasee!

Architect!
Thou art seen
Thou shalt not build this house again.


*[This is the twentieth part of the translation of Mahagama Sekera's epic poem 'Prabuddha', an exercise that has the permission and blessings of the immediate family of Mahagama Sekera. Parts I, II, III, IV, V, VI , VII, VIII,  IX, X , XI, XII, XIII, XIV, XV, XVI, XVII,  XVIII and XIX can be found in www.malindapoetry.blogspot.com.]