death too,
for some lives
are watered
by water-extraction
of both the living
and the dead,
and in the commerce
of surplus-draw
death has different tags:
this one fresh,
that one preserved;
it’s all cut and dried
from sea to plate,
snip-snap life
has price and sorrow
lament and cheer
in gradations of volume
nuance of weight and flavour,
and immemorial questions:
who got caught,
who got dried,
who lives and who is dead?
[Inspired by the photography of Pushpakumara Mathugama and published in the UNDO Section of The Nation]
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