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Thursday, 26 May 2016

The beginning and end of forever


Forever begins
with heart-stop,
a virginal rebirthing
and umbilical dissolve
that separates and erases
all illusion
of heart, touch and things mis
named.
Forever never ends, though;
it just gets lost in the
Alzheimeic plains
of reason and other encounters
The first love is also the last, I think. 

[From the collection 'Some texts are made of leaves', shortlisted for the Gratiaen Prize 2011]

Wednesday, 25 May 2016

Ode to banishment

Beyond the railway track
parallel lives merge 
with words and laughter
and unexpected meeting of eyes
that obliterate narrative 
they are airlifted
from the island of  sorrow;
beyond lunchtime exchanges
heart-food digests 
with the after-wash
of spray and rain
tosses the gospels of love
re-numbers time's sad pages;
and in the later this-side
of trains and food
I am told
'I am sick of words'
and banished
to vast word-less continents
unparalleled 
and unhappily un-merged. 

Tuesday, 10 May 2016

Crazy love dreams

Over an embankment 
and exotic insomnia
tripping along stepping stones
in improbable arrangement
between and through library shelves 
surreptitious tiptoeing 
among forbidding commonalities 
in the flipping of scripts 
and recovered transliteration
thus did memory roll slumber 
and yielded the you 
of that other time of color 
so diminished now.

Monday, 9 May 2016

Residencing

And so I write to report,
that in the ambivalent crafting of landscape
that is city,
this symphony of multitude and madness,
in the discoloring of green and blue
among the soft stone in hard arrangement,
in the grand aggregate
and glossy individuality that contains nothing,
this too may pass in the relentless dissolve of time;
but perhaps a random girl
a creature of polite address and conversation,
petal and hue in a grand bouquet
of thorn, weed and synthetic assembly,
like a faint, familiar fragrance,
trapped in the amber of memory,
may remain.


[From the collection 'The Underside of Silence']

Saturday, 7 May 2016

Wine Sutra











Lips are for wine
of a particular kind
but grape drawn intoxication
dark red or gold
is discolored and poor
against the liquid maturities
of heart aged wineries
that give distilled word-essence
and the exotic silent aftertaste –
and yet, for all the delights
of lip and heart
your extensive vineyard gives
it is the trace of fingertipped grace
on fingertip-lips
that’s wine unsurpassed.


Friday, 29 April 2016

පසන් කොඩිකාර





















ආවා ගියා ද 
ගිහින් ආවද  
මෙහේම හිටියද 
තවමත්
ඇවිත්
නැද්ද?

ඒ කෙසේ වෙතත්... 

හීන් ම හීන් හඬකි 
ඇසුන නෑසුන 
සුවඳකි 
අතැඟිලි අතරින් ගිලිහෙන 
රසදියරකි 
දැනෙන නොදැනෙන ස්පර්ශයෙන් 
නොමැකෙන දෑ  කළ.


පිටස්තරයෙකි පිටුවහල් කළ 
හැඳුනුම් පතක් නොමැති 
නන්නාඳුනන හිතවතෙකි 
නේවාසිකයෙකි 
අනේවාසිකකම් කියා දෙන  
          ජීවිතයේ 
          ගීතයේ 
          වචනයේ           
          වීදියේ 
          ප්‍රේමයේ.
නික්මයාම තුල ජීවමානයි 
පරාජිතයි ඔහු අප පැරදුන බැවින් 
පිබිදී සිටී අප  අවදි කළ  බැවින්
තවමත් අසල්වාසියෙකි  
විශ්වාස කළ සත්‍යයන් ද 
අවතැන් වීම වෙනුවෙන්ද 
පෙනී සිටි බැවින් 
දෛනික සිපිරිගෙදරින් 
පලා  ගොස් 
තහනම් දේශයේ සිත් සේ 
මං පෙත් හෙළි කළ බැවින්  
මළවුන් අතර ජීවත් වූ බැවින්  
මියගොස් ජීවිතයට වරමක් 
දිනාගත් බැවින් 
කළු-සුදු විශ්වයකට  
වර්ණ වත් කරයි 
හීන් ම හීන් හඬකින් 
සුවඳකින් නම් කල නොහැකි.   

For Pasan Kodikara

He came in and went out
or was it the other way about?
Anyway, 
he was a whisper and a fragrance
utterly intangible
and yet with intangibility stamped
a presence that stayed and stayed;
he was ‘out’
as in outcast and un-belonged
he was ‘in’ 
in a way we could never be,
in life
in song
in word
in love
omnipresent in absence
absent in his astrally 
lost because we were lost
found because he found us
just by being
by inhabiting fidelity
to held beliefs of un-belonging
by trespassing 
out of everyday prisons 
by living 
among the dead
by dying
to enter the afterlife 
of life he crafted
with whisper and fragrance.



Also read:

තිරය විවර වූයේ පරිපූර්ණ බොහීමියානුවාගේ නික්ම යෑමට යි

පසන් කොඩිකාර: පරිවර්තනයේ අතුරුදහන් වූ කවියෙක්